They wanted to try out summer shows in Greenwich and he directed two plays there. Lubin returned to New York gaining a job casting and directing with the firm of Crosby Graige and Selwyn. They have the scene in their mind but they don't know what the actor has to do to interpret it." Director and producer Theatre "Every director should have acting experience," he later said. "That's one of the reasons I got the hell out of acting." "On the stage I had a personality I never had in pictures," he said. Over time Lubin's interests increasingly leant towards directing. His films as an actor included The Woman on the Jury (1924), His People (1925), Bardelys the Magnificent (1926) with John Gilbert for King Vidor, Millionaires (1926), Afraid to Love (1927), The Wedding March (1928), The Bushranger (1928), Eyes of the Underworld (1929) and Times Square (1929), an early talking picture. not only good but awfully good looking." Ī 1926 profile described him as a "genius" actor who was very down to earth: "When I met him, it was if I were meeting a young banker or a matter of fact businessman. He later worked on Broadway, including Jealousy, where he replaced John Halliday opposite Fay Bainter. In 1925 he and some friends were charged with obscenity by the Los Angeles police for putting on a production of Eugene O'Neill's Desire Under the Elms. He later said "every part that Joseph Schildkraut did in New York, I did. Īs an actor, he specialized in heavy melodrama, in sharp contrast with his later work as a film director. In 1925, the Los Angeles Times called Lubin "one of this year's juvenile screen sensations." He began directing shows for the Hollywood Writers Club. He also acted in stage, notably at the Potboiler Act Theatre. None of these plays were particularly successful so he moved to Hollywood, where he succeeded in getting roles in some films such as His People. In New York, Lubin managed to get work on stage in such plays as The Red Poppy, Anything Might Happen and My Aunt from Ypsilanti. He worked as a drama coach at Canadian Steel Mills before following one of his college drama teachers, B. On graduation from college in 1922, he decided to become an actor. He briefly served in the navy in World War One and attended Page Military Academy and Carnegie Tech, where he studied drama and made money by shifting scenery and props. Īs a child he had worked as a water boy for touring theatre companies and volunteered for circuses. He joined the San Diego Stock Company at $12 a week the director was John Griffith Wray and the actors including Harold Lloyd. He managed the music and drama clubs at high school and said a key influence was playing the title role in The Vicar of Wakefield. His father remarried and the family moved from Jerome to San Diego when Lubin was eight. He was interested in acting at an early age, appearing in local Sunday school productions, with the encouragement of his mother, who died when Lubin was six. His family moved to Jerome, Arizona, when Arthur was five. Lubovsky changed his name to Lubin in honour of filmmaker Siegmund Lubin and became a salesman. His father, William Lubovsky, had come to the US from Poland in 1889. Arthur William Lubovsky was born in Los Angeles in 1898.
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